Elvis Presley, the undisputed King of Rock and Roll, left an indelible mark on music history with a vast catalog of recordings. But amidst the numerous covers and interpretations, a key question often arises for fans and music enthusiasts: which tracks are genuinely Elvis Original Songs? Understanding the distinction is crucial to appreciating the full scope of his groundbreaking impact and unique contribution to the musical landscape. This exploration delves into the heart of Elvis’s discography to identify the songs he truly made his own from the start.
Defining an “Elvis Original”
When discussing “Elvis Original Songs,” it’s important to clarify what “original” means in this context. While Elvis co-wrote a handful of songs (like “Love Me Tender” and “Heartbreak Hotel” credits show his name, often due to publishing deals), he wasn’t a prolific songwriter in the vein of Chuck Berry or Buddy Holly. Instead, an “Elvis original” typically refers to a song that Elvis Presley was the first artist to record and release, or a song that, despite potential prior obscure versions, achieved iconic status and widespread popularity primarily through his rendition. His unique vocal style, performance energy, and arrangement choices often transformed existing material or defined new songs entirely.
The Sun Records Era: Where Originality Took Root
Elvis’s journey began at Sun Records in Memphis, under the guidance of Sam Phillips. This period was fertile ground for establishing his unique sound and delivering recordings that were unequivocally his own.
- “That’s All Right” (1954): While Arthur “Big Boy” Crudup recorded it earlier, Elvis’s electrifying, up-tempo version is considered the catalyst for his career and a foundational track of rock and roll. It was his interpretation that broke barriers.
- “Blue Moon of Kentucky” (1954): Originally a slow waltz by Bill Monroe, Elvis famously reimagined it as a fast-paced rockabilly anthem on the B-side of “That’s All Right,” showcasing his innovative approach.
- “Good Rockin’ Tonight” (1954): First recorded by Roy Brown, Elvis’s version pulsed with a raw energy that became synonymous with his early style.
- “Mystery Train” (1955): Previously recorded by Little Junior Parker, Elvis’s rendition, with its distinctive guitar work by Scotty Moore, became the definitive version and his final single for Sun Records.
These early recordings weren’t just covers; they were radical reinterpretations that established Elvis as a unique artistic force, making them essential “Elvis originals” in terms of impact and popular association.
RCA Hits: Cementing the Legend with Originals
Moving to RCA Victor propelled Elvis to international stardom, and many of his biggest hits during this era were songs introduced to the world by him.
- “Heartbreak Hotel” (1956): Co-credited to Elvis, Mae Boren Axton, and Tommy Durden, this was his first RCA single and million-seller. Its stark atmosphere and Elvis’s haunting delivery made it instantly iconic and undeniably his.
- “Don’t Be Cruel” / “Hound Dog” (1956): This legendary two-sided hit featured songs brought to prominence by Elvis. Otis Blackwell penned “Don’t Be Cruel,” and while “Hound Dog” was famously recorded by Big Mama Thornton, Elvis’s rock and roll version became one of the best-selling singles of all time. His performance transformed it.
- “Love Me Tender” (1956): Adapted from the Civil War ballad “Aura Lee,” with new lyrics by Ken Darby (credited to his wife Vera Matson and Elvis), this became the title track for his first film and a signature ballad.
- “All Shook Up” (1957): Another Otis Blackwell composition (with Elvis sharing credit), this infectious track perfectly captured Elvis’s energetic appeal and topped the charts.
- “Jailhouse Rock” (1957): Written by the legendary duo Jerry Leiber and Mike Stoller specifically for Elvis’s film, this became one of his most enduring and visually iconic performances.
- “A Big Hunk O’ Love” (1959): A powerful rocker penned by Aaron Schroeder and Sid Wyche, showcasing Elvis’s commanding vocal presence after his army service.
Young Elvis Presley performing energetically on stage in Tupelo, 1956 – an example of his early original impact.
Distinguishing Originals from Masterful Interpretations
While celebrating Elvis original songs, it’s equally important to acknowledge his unparalleled skill as an interpreter. He didn’t need to write a song to make it legendary. His versions of Carl Perkins’ “Blue Suede Shoes,” “Are You Lonesome Tonight?”, Mark James’ “Suspicious Minds,” or Mort Shuman’s “Viva Las Vegas” became the definitive renditions for millions. He possessed a unique ability to inhabit a song, regardless of its origin, and infuse it with his own distinct personality and style. His catalog is a rich tapestry woven from both songs he debuted and songs he redefined.
The King’s Original Legacy
While Elvis Presley may not have been the primary writer of most of his hits, his contribution through elvis original songs – those he recorded first or transformed into cultural phenomena – is immense. From the raw energy of his Sun sessions to the polished chart-toppers at RCA, these recordings showcase his innovation, charisma, and unique ability to define the sound of rock and roll. Identifying these originals helps us appreciate the specific moments where Elvis didn’t just sing the music; he fundamentally shaped it, leaving a legacy built on both groundbreaking originals and masterful interpretations. His influence, powered significantly by these initial recordings, continues to resonate today.
