The enduring legacy of Elvis Presley continues with the release of Elvis Presley Where No One Stands Alone, an album celebrating the profound power and passion of his gospel recordings. This project, produced by Joel Weinshanker, Andy Childs, and significantly, his daughter Lisa Marie Presley, reimagines some of Elvis’s most cherished inspirational songs. It features newly recorded instrumentation and backing vocals, breathing fresh life into these timeless performances while aiming to connect with both longtime fans and potentially new listeners. The album notably includes contributions from artists who shared the stage with Elvis, alongside a special duet between father and daughter on the title track.
A Modern Gospel Sound: Context and Production
Musically, Where No One Stands Alone presents a polished and contemporary sound. The production quality is high, with vibrant instrumentation and rich backing vocals that modernize the original tracks effectively. This approach distinguishes it from the orchestral arrangements found on the recent Royal Philharmonic Orchestra (RPO) releases (If I Can Dream, The Wonder Of You). While those albums garnered significant success, this gospel collection arguably stays closer to the original spirit of Elvis’s recordings, albeit with updated arrangements.
The production team, guided by Lisa Marie Presley’s intimate connection to the material, handles the updates with care. Unlike more radical remixes of the past (such as ‘Elvis Vs. JXL’ or the Cirque du Soleil soundtrack), the enhancements here are generally restrained, designed to complement Elvis’s original vocals rather than overshadow them. The inclusion of legendary backing vocalists like Darlene Love, Cissy Houston, members of The Imperials (Terry Blackwood, Armond Morales, Jim Murray), and The Stamps Quartet (Bill Baize, Ed Hill, Larry Strickland) adds a layer of authenticity and continuity, linking the new recordings directly to Elvis’s original sessions and stage performances.
3D render of the Elvis Presley Where No One Stands Alone CD cover featuring a portrait of Elvis
Track-by-Track Analysis
The album offers a mix of familiar favourites and deeper cuts from Elvis’s gospel catalogue, each treated with a unique touch.
Standout Reimaginations
I’ve Got Confidence: Originally perhaps a lesser-known track for casual fans from the He Touched Me album, this version transforms the song. It becomes infectious and energetic, blending gospel roots with a pop sensibility. The subtle remix effects enhance the track, making it a highlight that feels both modern and respectful of the original vocal performance. It’s a compelling opener that immediately showcases the album’s potential.
So High: This track receives a significant enhancement compared to its original version on the How Great Thou Art album. The new arrangement brings a fresh perspective without detracting from the power of the original, making it feel revitalized.
How Great Thou Art: A cornerstone of Elvis’s gospel repertoire, this iconic song is presented differently here. While the original was known for its raw power, this version offers a slightly softer, more easy-listening approach. It blends seamlessly into the album’s overall feel, providing a beautiful, alternative interpretation rather than attempting to replicate the original’s intensity.
The Lisa Marie Duet: ‘Where No One Stands Alone’
The title track features Lisa Marie Presley singing alongside her father. Posthumous duets can be divisive, but this collaboration is handled tastefully. Lisa Marie’s vocal contribution fits well within the song’s structure, creating a poignant moment. While perhaps not as immediately striking as some other tracks for all listeners, it serves as the emotional centerpiece of the album, embodying the project’s familial connection and reverence for Elvis’s legacy. It stands as a sincere tribute, arguably more integrated than previous posthumous duets involving Elvis.
Faithful Updates and Classics
Crying In The Chapel: Acknowledging the perfection of the original hit, this version receives minimal additions. The subtle enhancements provide a fresh layer without altering the song’s classic feel, resulting in a very pleasant listen.
Stand By Me: Similar to “Crying In The Chapel,” the approach here is minimal and respectful. A new piano accompaniment adds texture, complementing Elvis’s heartfelt vocal on this beloved standard.
He Touched Me: The producers apply a restrained hand, carefully complementing the original recording rather than overpowering it. The result is a beautifully updated version that retains the spirit of the original master.
Less Impactful Tracks (Subjectively)
Saved: Taken from the ’68 Comeback Special, “Saved” is an energetic number. While the new version improves upon the somewhat dated original studio recording contextually, it might remain a less essential track for some listeners compared to the album’s stronger moments. Its inclusion likely aims to add tempo variation to the collection.
I, John: A classic group vocal piece, the original version holds a special place for many fans. This updated version fits within the album’s flow but may not surpass the raw appeal of the master take for purists.
You’ll Never Walk Alone: Another standard that is difficult to improve upon. The new version is pleasant, but the original’s simplicity and power remain definitive for many.
Other tracks like Bosom Of Abraham, In The Garden, He Is My Everything, and Amazing Grace are generally well-executed, fitting cohesively within the album’s framework and offering solid, enjoyable renditions. “He Is My Everything,” in particular, is noted by some as potentially surpassing the original in appeal.
Conclusion
Overall, Elvis Presley Where No One Stands Alone is a successful project that respectfully modernizes Elvis’s gospel music for a contemporary audience. While purists may always prefer the original recordings, this album offers a fresh perspective, highlighting the enduring quality of Elvis’s performances with high-quality production and thoughtful arrangements. Lisa Marie Presley’s involvement lends a personal touch and ensures a level of care throughout. With standout tracks like “I’ve Got Confidence” and thoughtful reinterpretations of classics, the album achieves its goal of celebrating Elvis’s inspirational music. It’s a worthwhile addition to the collection of any fan open to hearing these beloved songs presented in a new light, providing a powerful reminder of why Elvis remains the King, even in the realm of gospel.
